Chengshi Moyuan cataloged in six sections: heavenly works; places; officials; abundant items; scholarship; Buddhism and Daoism.
“….Four religious engravings that were owned by Ricci have been preserved in a most curious way, by being included in the “ink cake” album Chengshi moyuan 程氏墨苑 (The Ink Garden of Mr. Cheng), published shortly after 1605 by the famous ink master Cheng Dayue 程大約 (1541-1616?). With his fine sense of publicity Ricci had given them to Cheng to be reproduced both on his ink cakes and in this “sales catalogue”. Significantly, the four images (the disciples of Emmaus, Saint Peter sinking in the water, Sodom, and the Virgin with Child) were given a place in Cheng’s section of “Buddhist and Taoist subjects” (zihuang 緇黃). The reproduction of the Western prints is amazingly exact. Most interesting is the fact that the picture of the Virgin with Child according to its inscription was made “In Sem[inario] Jap[onico] 1597”, a clear sign of the connection with the Jesuit workshops in Japan.” ---Cf. Standaert, Handbook of Christianity in China, p. 811. See also p. 866.

“….currently stored in Lushan Museum in Dalian…..set of paintings bound with the vertical accordion binding method, is consisted [sic] of twenty-four volumes, in which one volume is blank. Each volume possesses ten pictures and amount to two hundred and thirty pictures are displayed in the book….of the 120-chapter A Dream of Red Mansions. The number of pictures printed for each chapter varies. It seems the picture book was not finished by the same painter because the….style of the first 80 chapters differs significantly from…the last 40 chapters…”
“ 七十三老人潤齋孫溫”

"清孫溫繪百廿回紅樓夢"原大版超大型畫冊, 系根據旅順博物館所藏國家一級文物, 享有國寶之稱的清代孫溫所繪"紅樓夢"大幅絹本工筆彩繪圖冊, 按原大尺寸仿真複製, 內文畫芯長七十六.五厘米, 寬四十三.三厘米, 是目前可見國內最大開本畫冊.高精度的原畫照相, 製版, 高質量的印刷及特製內文材料的使用, 保證了原畫工筆精細, 色彩艷美, 唯妙唯肖藝術魅力的再現.全書二百三十幅畫面, 三千多人物形象及豐富多彩的各類場景, 生動地表現了一百二十回"紅樓夢"的主要故事情節, 是研究"紅樓夢"的重要形象資料.全書五色印刷, 採用傳統手工經折裝形式, 進口布料燙金封面, "四合套"函裝, 豪華莊重, 高貴典雅.限量印刷2000套.是一部不可多得的藝術鑑賞及收藏, 饋贈精品.”—OCLC record note.

Special Donation by Ms. Li Shuting 李舒婷 and Family

Sheyuan mocui 涉園墨萃 / [Tao Xiang jikan 陶湘輯刊].
"A Collectanea of Works on Ink and Inkstones" includes Cheng Dayue 程大約 Li Madou ti baoxiang tu fuzeng 利瑪竇題寶像圖附贈, the graphics and Romanized Chinese text from Chengshi moyuan 程氏墨苑.

[v. 1] 墨譜法式 3卷. (宋) 李孝美撰. 墨經. (宋) 晁貫之撰. 墨史3卷. 陸友篹 -- [v. 2] 墨法集要. 沈繼孫撰丁卯 (1927). 中山狼圖. (明) 程大約. (明) 利瑪竇題寶像圖附贈. 墨苑文. 程大約. 丁卯 (1927) -- [v. 3-8] 墨海內輯書3卷外輯圖 7卷附錄. (明) 方瑞生輯戊辰 (1928) -- [v. 8] 墨表 4卷. 萬夀祺 -- [v. 9-11] (鑑古齋)墨藪4卷附錄附錄補遺. 汪近聖. (清) 汪爾臧. (清) 汪惟高製. (清) 汪炳宇等輯戊辰(1928) -- [v. 12-14] 中舟藏墨錄3卷. 袁勵準戊辰石印己巳玻璃版印圖 -- [v. 14] 內務府墨作則例 己巳 (1929). 南學製墨箚記. 謝崧岱述己巳 (1929).

“….Four religious engravings that were owned by Ricci have been preserved in a most curious way, by being included in the “ink cake” album Chengshi moyuan 程氏墨苑 (The Ink Garden of Mr. Cheng), published shortly after 1605 by the famous ink master Cheng Dayue 程大約 (1541-1616?). With his fine sense of publicity Ricci had given them to Cheng to be reproduced both on his ink cakes and in this “sales catalogue”. Significantly, the four images (the disciples of Emmaus, Saint Peter sinking in the water, Sodom, and the Virgin with Child) were given a place in Cheng’s section of “Buddhist and Taoist subjects” (zihuang 緇黃). The reproduction of the Western prints is amazingly exact. Most interesting is the fact that the picture of the Virgin with Child according to its inscription was made “In Sem[inario] Jap[onico] 1597”, a clear sign of the connection with the Jesuit workshops in Japan.” ---Cf. Standaert, Handbook of Christianity in China, vol. 1, p. 811. See also p. 866.

Li Madou ti baoxiang tu fuzeng 利瑪竇題寶像圖附贈 in TIF & PDF see folder Ricci Insktone

In vol. 17 of: Xujiahui cangshulou Ming-Qing Tianzhujiao wenxian xubian 徐家匯藏書樓明清天主教文獻續編. -- 39. 顯相十五端玫瑰經 （聖母領報會）
Cf. Ad Dudink & Nicolas Standaert, Chinese Christian Texts Database (CCT-Database).