147R ZKW 660 [d]
anon. ms., Jiangnan Yuying Tang ji 江南育嬰堂記, entitled on the cover Dushan wan (i.e. Tushanwan) Cimu Tang ji 土山灣慈母堂記 (卷之二), 24 sections (corrected index), ca. 70 ff., irregularly numbered (e.g. ff. 1-19, 1 fnc, ff. 24-28) and containing many corrections and additional notes (sometimes on a piece of paper pasted on a page) -- Cf. Adrian Dudink, "The Zikawei Collection" (Sino-Western Cultural Relations Journal XVIII (1996)), p.33.

In volume 5 of: Xujiahui cangshulou Ming Qing Tianzhujiao wenxian 徐家匯藏書樓明清天主教文獻.
For complete contents see: Standaert, Nicolas, Xujiahui cangshulou Ming Qing Tianzhujiao wenxian 徐家匯藏書樓明清天主教文獻.
For a description of all 37 texts, see the catalog of the Fujen Zikawei collection in Sino-Western Cultural Relations Journal XVIII (1996), or see individual records.

"This dissertation closely examines the art and craft workshops at the French-Jesuit-run orphanage of Tushanwan in the first decades of the twentieth-century. Founded in the 1860s, the workshops taught Chinese orphaned boys a wide range of vocational skills from painting to shoemaking in preparation for their entry into adulthood in a rapidly modernizing China. Using different art objects and projects created at the major workshops as my primary subjects of investigation, the dissertation analyzes the transmission, translation, and reinvention of modern Euro-American aesthetic ideologies and techniques at Tushanwan and their receptions. In the process I question the nature and motivation of commercial workshops like Tushanwan beyond the monetary and reframe its practices and operations in terms of the religious, institutional, cultural, and historical legacies of the Jesuits in China. I also expand the global scope of popular late nineteenth- century European aesthetic movements such as the Arts and Crafts by accounting for the reinterpretation of those ideologies within the local context. Through the works and practices from the workshops, I describe a collage of interactions between China and the world united by a sense of common spiritual identity that supposedly transcended national and state boundaries, but instead reified and maintained the heterogeneity of identities."--Abstract.

Local access dig. pdf. [Ma-Tushanwan workshops.pdf]
Restricted access. Author permission required.

Shanghai :scènes de la vie en Chine, les figurines de bois de T’ou-Sè-Wè / Christian Henriot, Ivan Macaux = Zhongguo minjian shenghuo : Shanghai Tushanwan gu’eryuan renwu muke / An Keqiang, Yiwang. 中國民間生活 : 上海土山灣孤兒院人物木刻 / 安克強, 伊望.

Includes bibliographical references (pages 288-289).

"C'est une malle qui prend la poussière dans une vieille bâtisse du sud de la France. Quand on l'ouvre, on y découvre un trésor. Une centaine de figurines en bois, uniques au monde. C'est une malle qui raconte une ville et une époque. Shanghai, 1938. On y découvre toute sa diversité, ses classes sociales et ses métiers. Comme si chaque personnage nous invitait à explorer un nouveau recoin de la cité. D'un coup d'œil, on y devine ses loisirs comme ses châtiments, ses joies comme ses peines. En cette fin des années 1930, la guerre entre la Chine et le Japon fait rage et menace les habitants du "Paris de l'Orient". C'est une malle qui raconte la vie derrière la guerre. Cette malle nous est parvenue grâce à une rencontre, celle d'un officier de la Marine française et d'apprentis chinois d'un orphelinat jésuite. Une part méconnue de l'histoire qui unit la France et la Chine, désormais éclairée"--Jacket.

Christian Henriot, membre de l'Institut Universitaire de France, professeur à l'Université Lyon 2, membre de l'Institut d'Asie Orientale, auteur d'une douzaine d'ouvrages sur la Chine moderne, concepteur de "Virtual Shanghai (http://virtualshanghai.net), plateforme d'histoire numérique.

Ivan Macaux est l'arrière-petit-fils de Jules Le Bigot, commandant en chef des Forces navales d'Extrême-Orient dans les années 1930. Il est journaliste et romancier.

In French and Chinese.

The Zi-ka-wei orphanage /by D.J. Kavanagh, S.J.
Published in conjunction with the 1915 Panama-Pacific International Exhibition as part of the Republic of China display.
Available online at Internet Archive and Hathi Trust.
Local access dig.pdf. [Kavanagh-Zikawei orphanage.pdf]

Tushanwan gu’eryuan rencai peiyang moshi yanjiu  土山灣孤兒院人才培養模式研究 / Xu Yan 徐妍.

Thesis--教育管理 (2014)

Shanghai shifan daxue zhuanyexue weilunwen 上海師範大學專業學位論文
Includes bibliographical references.
Abstract also in English.

Local access dig.pdf. [Xu Yan-Tushanwan]

Tushanwan gu’eryuan meishu gongchang yanjiu 土山灣孤兒院美術工場研究 / Gao Bei 高蓓.

Thesis (Ph.D., Fine Arts). 宗教美術研究。[2009届博士学位论文论]
Bibliography: p. 197-202

中文摘要:

土山灣孤兒院藝術工場是清末入華耶穌會在上海徐家匯地區所創本是天主教導在中國進行「 救靈」 活動的附屬產物。 它一經誕生即旨在為江南、乃至中國的天主教教義的傳播服務。 這所工場在其存世的近百年時間裡陸續開設了印刷、木工、五金、繪畫等作場生產了大量的宗教祭祀用品以滿足天主教的傳教需求也培養了大批的工藝、美術人才。 但由於種種原因土山灣孤兒院美術工場出產的各類工藝、美術作品幾乎不存文獻資料散亂、稀缺。 故此能夠「 復原」 這樣一個美術工場對研究中國天主教美術在中國的傳播與影響無疑是非常有意義的。

上編在盡可能全面佔有材料的基礎上對土山灣孤兒院美術工場的發韌、發展和消隱進行了綜合研究以時間發展為經線以事件的發生為緯線力求建立起當時美術工場的歷史架構、復原其生產經營、管理培養等情況。下編選了教堂、繪畫、雕刻等與土山灣有關的典型材料對土山灣美術作品的鉤沉作了一個總結性論述。 關鍵字土山灣孤兒院藝術工場清末民國傳教天主教藝術耶穌會教堂、繪畫、雕刻.

Abstract (English)

T'ou-sè-wèi Orphanage Art Workshop was established in Xujiahui Area of Shanghai by Jesuits coming to China at the end of Qing Dynasty, a by-product of the lvation " activities of Catholicism in China. It was intended to serve the spreading Catholic doctrines in southern China and even in the whole country. During its tory of nearly 100 years, it set up a series of workshops in printing, woodworking, hardware and drawing, produced lots of religious oblations to meet the need of Catholicism promulgation and fostered many talents in art and craft. However, due to many reasons, almost none of the crafts and artworks produced T'ou-se-we exist today, and documents about them are rare and scattered. So the restoration of such an artwork is definitely very meaningful for the study of the spreading and influence of Christian art. The first part does a comprehensive study of the beginning, development and appearance of the T' ou-se-we Orphanage on the basis of all the materials that could acquired, trying to set up the history framework of the Art Workshop and restore its nal situation of production, management and training. The second part discusses T' ou-se-we art works by some typical materials about churches, paintings and sculptures.

Key words: T' ou-sè-wè Orphanage End of Qing Dynasty and Minguo Catholicism Jesuit Craft 

Local access dig.pdf. [Gao-Tushanwan.pdf]

See CNKI Bibliography for “土山湾孤儿院美术工场”研究

上海徐家彙的南端有一處在中國近現代歷史上影響獨特的神奇之地, 其平凡的名稱藏匿著深邃的文化蘊涵, 此即地名樸實, 卻雅趣盎然的土山灣. 土山灣主要是以其孤兒院下設的"土山灣工藝場"而獲得了其文化盛譽. 這一工藝場分為繪畫部, 印刷部, 成衣製鞋部, 木工部和銅器部等幾大部分, 在文化藝術的創作上取得了巨大成就, 曾在中國近代文化藝術發展中起著引領作用, 形成了近代上海的"海派"文化風格及特色, 並對整個中國的近代文化發展產生了重要影響.--Publisher note (OCLC record).