147R ZKW 660 [d]
anon. ms., Jiangnan Yuying Tang ji 江南育嬰堂記, entitled on the cover Dushan wan (i.e. Tushanwan) Cimu Tang ji 土山灣慈母堂記 (卷之二), 24 sections (corrected index), ca. 70 ff., irregularly numbered (e.g. ff. 1-19, 1 fnc, ff. 24-28) and containing many corrections and additional notes (sometimes on a piece of paper pasted on a page) -- Cf. Adrian Dudink, "The Zikawei Collection" (Sino-Western Cultural Relations Journal XVIII (1996)), p.33.

In volume 5 of: Xujiahui cangshulou Ming Qing Tianzhujiao wenxian 徐家匯藏書樓明清天主教文獻.
For complete contents see: Standaert, Nicolas, Xujiahui cangshulou Ming Qing Tianzhujiao wenxian 徐家匯藏書樓明清天主教文獻.
For a description of all 37 texts, see the catalog of the Fujen Zikawei collection in Sino-Western Cultural Relations Journal XVIII (1996), or see individual records.

"This dissertation closely examines the art and craft workshops at the French-Jesuit-run orphanage of Tushanwan in the first decades of the twentieth-century. Founded in the 1860s, the workshops taught Chinese orphaned boys a wide range of vocational skills from painting to shoemaking in preparation for their entry into adulthood in a rapidly modernizing China. Using different art objects and projects created at the major workshops as my primary subjects of investigation, the dissertation analyzes the transmission, translation, and reinvention of modern Euro-American aesthetic ideologies and techniques at Tushanwan and their receptions. In the process I question the nature and motivation of commercial workshops like Tushanwan beyond the monetary and reframe its practices and operations in terms of the religious, institutional, cultural, and historical legacies of the Jesuits in China. I also expand the global scope of popular late nineteenth- century European aesthetic movements such as the Arts and Crafts by accounting for the reinterpretation of those ideologies within the local context. Through the works and practices from the workshops, I describe a collage of interactions between China and the world united by a sense of common spiritual identity that supposedly transcended national and state boundaries, but instead reified and maintained the heterogeneity of identities."--Abstract.

Local access dig. pdf. [Ma-Tushanwan workshops.pdf]
Restricted access. Author permission required.

Rexin 熱心 / Lian Guobang 連國邦

The publisher and date of publication inferred from the OCLC record (National Library of China).

Acquired in 2025.

Shanghai :scènes de la vie en Chine, les figurines de bois de T’ou-Sè-Wè / Christian Henriot, Ivan Macaux = Zhongguo minjian shenghuo : Shanghai Tushanwan gu’eryuan renwu muke / An Keqiang, Yiwang. 中國民間生活 : 上海土山灣孤兒院人物木刻 / 安克強, 伊望.

Includes bibliographical references (pages 288-289).

"C'est une malle qui prend la poussière dans une vieille bâtisse du sud de la France. Quand on l'ouvre, on y découvre un trésor. Une centaine de figurines en bois, uniques au monde. C'est une malle qui raconte une ville et une époque. Shanghai, 1938. On y découvre toute sa diversité, ses classes sociales et ses métiers. Comme si chaque personnage nous invitait à explorer un nouveau recoin de la cité. D'un coup d'œil, on y devine ses loisirs comme ses châtiments, ses joies comme ses peines. En cette fin des années 1930, la guerre entre la Chine et le Japon fait rage et menace les habitants du "Paris de l'Orient". C'est une malle qui raconte la vie derrière la guerre. Cette malle nous est parvenue grâce à une rencontre, celle d'un officier de la Marine française et d'apprentis chinois d'un orphelinat jésuite. Une part méconnue de l'histoire qui unit la France et la Chine, désormais éclairée"--Jacket.

Christian Henriot, membre de l'Institut Universitaire de France, professeur à l'Université Lyon 2, membre de l'Institut d'Asie Orientale, auteur d'une douzaine d'ouvrages sur la Chine moderne, concepteur de "Virtual Shanghai (http://virtualshanghai.net), plateforme d'histoire numérique.

Ivan Macaux est l'arrière-petit-fils de Jules Le Bigot, commandant en chef des Forces navales d'Extrême-Orient dans les années 1930. Il est journaliste et romancier.

In French and Chinese.

Shenxiu jianghua 神修講話. [Manuel des âmes intérieures. Chinese] / Jean Nicolas Grou 葛盧 (1731-1803), trans. by Yao Ruo 堯若

Two of Grou's published works carry the title Manuel des ames intérieures (both posthumous): One subtitled "Recueil d'opuscules inédits" and one "Suite d'opuscules inédits." Yet according to the preface to our book, three installments of records from lectures on ascetics (shenxiu 神修)—taken with Grou's permission—given to women religious were published starting in 1833. Our book is a translation of a later, combined edition of the three installments. The preface notes that some passages were omitted in the translation.

Our book was first published in March 1953. It quickly sold out and a new edition was prepared. The preface to the new edition notes that some changes were made to the text and that a new cover was chosen for it.

This book is one of the latest to be published by the Tou-sè-wè (Tushanwan 土山灣) printshop.

With thanks to Yuzhou Bai (Harvard-Yenching Library).

The Zi-ka-wei orphanage /by D.J. Kavanagh, S.J.
Published in conjunction with the 1915 Panama-Pacific International Exhibition as part of the Republic of China display.
Available online at Internet Archive and Hathi Trust.
Local access dig.pdf. [Kavanagh-Zikawei orphanage.pdf]

Tushanwan gu’eryuan rencai peiyang moshi yanjiu  土山灣孤兒院人才培養模式研究 / Xu Yan 徐妍.

Thesis--教育管理 (2014)

Shanghai shifan daxue zhuanyexue weilunwen 上海師範大學專業學位論文
Includes bibliographical references.
Abstract also in English.

Local access dig.pdf. [Xu Yan-Tushanwan]

Tushanwan gu’eryuan meishu gongchang yanjiu 土山灣孤兒院美術工場研究 / Gao Bei 高蓓.

Thesis (Ph.D., Fine Arts). 宗教美術研究。[2009届博士学位论文论]
Bibliography: p. 197-202

中文摘要:

土山灣孤兒院藝術工場是清末入華耶穌會在上海徐家匯地區所創本是天主教導在中國進行「 救靈」 活動的附屬產物。 它一經誕生即旨在為江南、乃至中國的天主教教義的傳播服務。 這所工場在其存世的近百年時間裡陸續開設了印刷、木工、五金、繪畫等作場生產了大量的宗教祭祀用品以滿足天主教的傳教需求也培養了大批的工藝、美術人才。 但由於種種原因土山灣孤兒院美術工場出產的各類工藝、美術作品幾乎不存文獻資料散亂、稀缺。 故此能夠「 復原」 這樣一個美術工場對研究中國天主教美術在中國的傳播與影響無疑是非常有意義的。

上編在盡可能全面佔有材料的基礎上對土山灣孤兒院美術工場的發韌、發展和消隱進行了綜合研究以時間發展為經線以事件的發生為緯線力求建立起當時美術工場的歷史架構、復原其生產經營、管理培養等情況。下編選了教堂、繪畫、雕刻等與土山灣有關的典型材料對土山灣美術作品的鉤沉作了一個總結性論述。 關鍵字土山灣孤兒院藝術工場清末民國傳教天主教藝術耶穌會教堂、繪畫、雕刻.

Abstract (English)

T'ou-sè-wèi Orphanage Art Workshop was established in Xujiahui Area of Shanghai by Jesuits coming to China at the end of Qing Dynasty, a by-product of the lvation " activities of Catholicism in China. It was intended to serve the spreading Catholic doctrines in southern China and even in the whole country. During its tory of nearly 100 years, it set up a series of workshops in printing, woodworking, hardware and drawing, produced lots of religious oblations to meet the need of Catholicism promulgation and fostered many talents in art and craft. However, due to many reasons, almost none of the crafts and artworks produced T'ou-se-we exist today, and documents about them are rare and scattered. So the restoration of such an artwork is definitely very meaningful for the study of the spreading and influence of Christian art. The first part does a comprehensive study of the beginning, development and appearance of the T' ou-se-we Orphanage on the basis of all the materials that could acquired, trying to set up the history framework of the Art Workshop and restore its nal situation of production, management and training. The second part discusses T' ou-se-we art works by some typical materials about churches, paintings and sculptures.

Key words: T' ou-sè-wè Orphanage End of Qing Dynasty and Minguo Catholicism Jesuit Craft 

Local access dig.pdf. [Gao-Tushanwan.pdf]

See CNKI Bibliography for “土山湾孤儿院美术工场”研究

Tushanwan huaguan renwuzhi  土山灣畫館人物 志  / Shanghai Shi Xuhui Qu wenwuju zhubian  上海市徐匯區文物局主編  ; Zhang Wei, Zhang Xiaoyi zhu  張偉, 張曉依著.

圖文並茂地呈現"中國西洋畫之搖籃"-土山灣畫館的歷史人物群像與歷史發展軌跡

土山灣畫館為上海最早的西洋美術教育的發祥地,因處於徐家匯土山灣而得名.1852年,天主教在此創辦繪畫和雕塑宗教用品的工藝學校,其美術學科分為水彩,鉛筆,擦筆,木炭,油畫等,以素描寫實,人體,植物禽類為主,主要都是以有關西方基督教的宗教畫為主旋律,多數以基督教的傳承為基礎,學生都是孤兒院的孩子.誠然,土山灣畫館培養學生的主要目的是為了中國培養更多的能為傳播基督教教義方面的美術人才,也為基督教的傳播起到積極推動的意義."土山灣畫館"內容上主要分為畫館開創者,畫館的傑出代表,畫館中堅,體系外的再傳弟子,編外人員,採訪實錄等板塊,搜羅舊照片,拍攝新照片,圖文並茂地,系統地為讀者呈現了土山灣畫館的歷史風貌.--OCLC record.

Yaowang Tushanwan :  zhuixun xiaoshi de wenmai  遙望土山灣  : 追尋消逝的文脈 /  Zhang Wei, Zhang Xiaoyi zhu  張偉, 張曉依著.

目錄:

土山灣的美術天地
土山灣印書館：中西文化交流的一座橋樑
從上海到布魯塞爾：一座中式樓宇的百年傳奇
消逝的百塔
土山灣五金工場－上海第一個能修飛機的車間
美好的回憶－土山灣孤兒們的課餘生活
土山灣週邊建築
柏立德：土山灣建檔第一人
馬歷耀：土山灣的建築大師
藝術家的孤獨－走在時代前面的艾而梅
「全能修士」翁壽祺
黃金拍檔－葛承亮與笪光華
安敬齋：滬上攝影、印刷界的前輩
「好人」潘國磐
家書中的土山灣－孔明道一百年前的7封信
「聖路加」的鄉愁－範世熙與其《中國雜錄第一卷：已展示的信件》(土山灣版畫集)
高龍肇和他的《江南傳教史》
史式徽－為土山灣孤兒院所立傳的法國學者
附錄：土山灣老人訪談實錄
土山灣，不只繪畫的搖籃(代跋) 

Yingxiang Tushanwan 影像土山灣 = Images of T'ou-Sè-Wè / [Song Haojie zhubian 宋浩傑主編].
Includes bibliographical references (pages 292-295).
Chinese and English.

上海徐家彙的南端有一處在中國近現代歷史上影響獨特的神奇之地, 其平凡的名稱藏匿著深邃的文化蘊涵, 此即地名樸實, 卻雅趣盎然的土山灣. 土山灣主要是以其孤兒院下設的"土山灣工藝場"而獲得了其文化盛譽. 這一工藝場分為繪畫部, 印刷部, 成衣製鞋部, 木工部和銅器部等幾大部分, 在文化藝術的創作上取得了巨大成就, 曾在中國近代文化藝術發展中起著引領作用, 形成了近代上海的"海派"文化風格及特色, 並對整個中國的近代文化發展產生了重要影響.--Publisher note (OCLC record).