Table of Contents:
Introduction. Between Word and Image, East and West / Giorgia Alù and Francesco Borghesi.
Historical Encounters: Power, Authority and Agency -- Breaking the Image, Celebrating the Word: Byzantine Iconoclasm and the Tendency to Abstraction / Vrasidas Karalis -- The Look of Language / Bernard O’Kane -- The Agency of Relations at Baoshan / Wendi Adamek -- Authority in Visual Exegesis / Jeffrey Moser.
Literary Relations: Writing and the Image: The Legacy of Laocoon / Robert Buch -- Illustrating China through its Writing: Athanasius Kircher’s Spectacle of Words, Images, and Word-Images / Dinu Luca -- In a Station of the Cantos: Ezra Pound’s ‘Seven Lakes’ Canto and the Shō-Shō Hakkei Tekagami / Mark Byron -- Text and Image in Pre-war Japan: Viewing Takehisa Yumeji through Sata Ineko’s ‘From the Caramel Factory’ / Barbara Hartley.
Cultural Interlacing: The Word in the Image: Talking Pictures: The Life of Xuanzang in a Fourteenth-Century Japanese Handscroll / Rachel Saunders -- Rethinking ‘Beauties’: Women and Humor in the Late Edo Tōkaidō gojūsan tsui / Ann Wehmeyer -- Orientalism, Self-Orientalism, and Occidentalism in the Visual-Verbal Medium of Japanese Girls’ Comics / Rebecca Suter -- Cartooning Ex-Posing Photography in Graphic Memoir / Nancy Pedri.
Review Essay: A Survey of Substantial Scholarship on Nick Cave to 2012 / Christopher Hartney -- Book Reviews.

Local access dig.pdf. [Alu-Word and image.pdf]

目錄
大衛·豪斯：作為感覺交流的文化交流：感覺研究中的中西文明相遇 / 1
孟華：法國18世紀“景德鎮神話“何以形成：一個感覺史意義上的中法文化交流的個案 / 18
科琳娜·瓦格納：從瓷器到人：視像、感覺、藝術和醫學 / 40
約翰·威爾金斯：蓋倫論味覺與嗅覺 / 66
布蘭登·加拉赫：靈性感知傳統的延續和轉變 / 75
顧衛民：16-17世紀耶穌會傳教藝術中的天使的形象 / 98
董少新：“黑睛小眼”與“碧瞳深目”的對望以及關於眼睛的審美 / 125
賴毓芝：知識、想像與交流：南懷仁《坤輿全圖》之生物插繪眼睛 / 141
潘夏梨：技貫中西：乾隆宮廷西洋畫師王致誠（1702-1768）作品中的文化交流 / 183
白若思：17-18世紀中國藝術在俄國與俄國中國風的特點 / 196
施靜菲：全球史視野下的“西洋”多層木套杯與跨文化的清宮 / 227
夏伯嘉：明末清初在華傳教士的飲食內容 / 274
何安娜：“美味之鹽”：近代早期醬油傳入歐洲史 / 281
可飛鯊、樂懷璧：19-20世紀英國對中國性實物的收藏及其文化的解讀 / 295
莊岳：痰嗽之聲：“通過儀式”與“社會戲劇”/ 312

"本書共收入論文15篇. 本書主題屬於跨學科性質, 嘗試利用人類學領域中的感官感覺研究方法, 分析中西文化交流中的一般歷史現象, 希望感官感覺研究方法的引入, 能夠對中西文化交流史的研究起到啟發和推動作用, 同時也希望跨區域的文化交流研究方法也能夠給感官感覺研究帶來新的視角和研究內容"--OCLC note.

Qing encounters : artistic exchanges between China and the West / ǂc edited by Petra ten-Doesschate Chu and Ning Ding, with Lidy Jane Chu.
Includes bibliographical references and index.

Introduction / Petra ten-Doesschate Chu and Ning Ding -- Part one. Collection and display. Hybrid spaces of encounter in the Qing era / Richard Vinograd -- Frames of appropriation: foreign artifacts on display in early modern Europe and China / Anna Grasskamp -- Global circulations, local transformations: objects and cultural encounter in the eighteenth century / Kristel Smentek -- Encountering magnificence: European silks at the Qing court during the eighteenth century / Mei Mei Rado -- Part two. Knowledge and information exchange between China and the west. Henri Bertin and the commerce in images between France and China in the late eighteenth century / John Finlay -- Vegetal travel: western European plants in the garden of the Emperor of China / Che-Bing Chiu -- Nineteenth-century canton gardens and the east-west plant trade / Yuen Lai Winnie Chan -- Imperial impressions: the Qianlong emperor's print suites / Marcia Reed -- Part three. Modes and meanings of (adopted) techniques of representation. Hatchings in the void: ritual and order in Bishu Shanzhuang Shi and Matteo Ripa's Views of Jehol / Yue Zhuang -- War and empire: images of battle during the Qianlong reign / Ya-Chen Ma -- From science to art: the evolution of linear perspective in eighteenth-century Chinese art / Kristina Kleutghen -- Shadows in Chinese art: and intercultural perspective / Lihong Liu -- Part four. Chinoiserie, Européenerie, hybridity. Narrating the city: Pu Qua and the depiction of street life in Canton / Yeewan Koon -- Chinoiserie and intercultural dialogue at Brighton pavilion / Greg M. Thomas -- Surface contact: decoration in the Chinese taste / Stacey Sloboda -- Betwixt and between: "Chinese taste" in Peter the Great's Russia / Jennifer Milam.

"Qing Encounters: Artistic Exchanges between China and the West examines how the encounters between China and Europe in the eighteenth and early nineteenth centuries transformed the arts on both sides of the East-West divide. These essays reveal how trading and copying images, artifacts, and natural specimens inflected both cultures' visions of novelty and pleasure, battle and power, and ways of seeing and representing. Artists and craftspeople borrowed and adapted forms, techniques, and modes of representation, producing deliberate, meaningful, and complex hybrid creations. By considering this reciprocity from both Eastern and Western perspectives, Qing Encounters offers a new and nuanced understanding of this critical period"--Page 4 of cover.

Another copy Gleeson Library.

The shining inheritance : Italian painters at the Qing court, 1699-1812 / Marco Musillo.
Includes bibliographical references and index.

"During Qing dynasty China, a series of Italian artists was hired through the Jesuit missionary network to work for the Qing Imperial Workshops in Beijing. In The Shining Inheritance: Italian Painters at the Qing Court, 1699-1812, Marco Musillo describes the professional adaptations and pictorial modifications to Chinese traditions that allowed these Italian painters--Giovanni Gherardini (1655-ca. 1729), Giuseppe Castiglione (1688-1766), and Giuseppe Panzi (1734-1812)--to work within the Chinese cultural sphere from 1699, the year of Gherardini's arrival in China, to 1812, the year of Panzi's death. Musillo focuses especially on the long career and influence of Castiglione (whose Chinese name was Lang Shining), who worked in Beijing for more than fifty years. Serving three Qing emperors, he was actively engaged in the pictorial discussions at court. The Shining Inheritance perceptively explores how each artist's levels of professional artistic training affected his understanding, selection, and translation of the Chinese pictorial traditions. Musillo further demonstrates how this East-West artistic exchange challenged the dogmas of European universality through a professional dialogue that became part of established workshop routines. The cultural elements, procedures, and artistic languages of both China and Italy were strategically played against each other in negotiating the successes and failures of the Italian painters in Beijing."--ECIP data view.

Missionary encounters and artistic deceptions -- Amateurs -- Professionals -- The Italian professional painting training -- The painter's modular mind -- Castiglione's Italian training and Beijing production -- Managing perspectives -- Spaces to walk, paintings to touch -- Lyrical landscapes -- Consecrating mermaids, erasing shadows: forgotten dialogues between China and Italy.

Tangible whispers, neglected encounters : histories of East-West artistic dialogues, 14th-20th century / Marco Musillo.
Includes bibliographical references (pages 239-266).

The relationship between East and West remains a topic of burning timeliness, particularly in its political dimension. Yet, we can gain a complete understanding of the current tensions only if we consider them within a broader historical framework, spanning from art to diplomacy, from religion to ethnography. The present volume tackles precisely this complex task, offering its reader a rich mosaic of case studies and scholarly research, relating to the mutual approaches between the Euro-American ‘West’, and the Sino-Japanese ‘East’. In the first part of the book, art historian Marco Musillo uses the depictions of Tartars in fourteenth-century Italian frescoes as the starting point of a trajectory leading to eighteenth-century European literature on China. In the second part, the reader is introduced to two cases of diplomatic encounter, one in sixteenth-century Italy between Japanese subjects and local courts, and the other one between Qing China and twentieth-century United States, in the space of the universal exhibition in St. Louis. Finally, the last section proposes three interconnected art historical explorations: the screen design of Chinese origin in colonial Mexico, Medieval Christian tombstones in China, and early-modern Filipino sacred sculpture.

Table of Contents

Introduction: Hot Air and Flying Dragons: Historiographical Fractures and Interpretation

Part I: Ethnography
1. From Tartar Faces to Chinese Bodies: the Transformation of Identities

Part II: Diplomacy
2. Dancing Venues and Theatrical Receptions: Early Modern Diplomacy and the Japanese Legation to Europe
3. American Entertainment and Display: Qing Empress Cixi in the St. Louis Exposition

Part III: Materiality
4. The Routes of the Screen: Local Forms and Transcultural Designs
5. Tombstones and “Anomalous” Canons
6. Filipino Sculptures as Eventful Art

[by] Ung Vai Meng [i.e. Wu Weiming 吳衛鳴, b. 1958]
Ung Vai Meng desenhos = Ung Vai Meng drawings = Wu Weiming suxie ji 吳衛鳴速寫集.
/ texto, text, António Conceição Júnior, Carlos Marreiros, Mio Pang Fei ; foto, photography, Ung Vai Meng = zhuanwen Jiang Lianhao, Ma Ruolong, Miao Pengfei ; sheying Wu Weiming 撰文江蓮浩, 馬若龍, 繆鵬飛 ; 攝影吳衛鳴.