[Anthony E. Clark Chinese poster collection] [AEC posters]

84 Chinese political (Communist) posters, dating from 1965 to 1987.

(A table with publication data and the text featured on the posters follows the images.)

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A Winterthur guide to Chinese export porcelain / Arlene M. Palmer

Introduction -- The China trade -- THe manufacture of porcelain -- Forms for the west -- Painted designs for the West -- Personalized porcelains -- The American trade -- Notes -- Selected bibliography.

This book consists of representative examples from the Winterthur collection hat have been selected and arranged to present a general introduction to the subject of Chinese export porcelain. Chinese porcelain was the delight, if not the passion, of Europe's soul in the eighteenth century. More than 50 million pieces of porcelain reached the West before 1800, creating and filling a need for tablewares and orame4nts and stimulating European production of imitative ceramics. As symbols of "the most remarkable of all countries yet known,": a country that few had actually seen, the creations of the Chinese potters never ceased to fascinate. -- Publisher's Note

Les laques chinois / Par Martin Feddersen.
Traduit par Madeleine Maas-Auclert.

Original intentions : essays on production, reproduction, and interpretation in the arts of China / edited by Nick Pearce and Jason Steuber.

Includes bibliographical references and index.

A flash in the pan : the "Bushell Bowl" controversy revisited /  Nick Pearce -- Canon formation and the development of western Chinese art history /  Roger Covey -- Pigment style and workshop practice in the Yuan dynasty wall paintings from the Lower Guangsheng Monastery /  Ling-en Lu -- Qing dynasty emperors Kangxi and Qianlong : rule through replication in architecture and the arts /  Jason Steuber -- Replicating the past : ink rubbing and its related ideas in contemporary Chinese art /  Wei-Cheng Lin -- Copying and transmitting, knowledge and nonsense : from the Great encyclopedia to A book from the sky /  Shane McCausland -- Some considerations of the bronze inscription techniques used during the Shang and Zhou dynasties /  Changping Zhang.

Believing that everything has a precedent, Chinese artists were never bashful about reproducing art, typically seeing less of a difference between the original work and reproductions. As a result, replication has often been considered a fundamental mode of production in Chinese art, with roots extending to antiquity. In turn, some collectors would knowingly brandish originals next to replicas while others completely rejected the idea of imitations as artworks. This book explores the controversial questions of faking, copying, and replicating Chinese painting, bronzes, ceramics, works on paper, and sculpture.

Wenhua Dageming qijian chutu wenwu 文化大革命期間出土文物 / Chutu wenwu zhanlan gongzuozu bian 出土文物展覽工作組編.
Includes "說明", an insert with dimensions and descriptions of the catalog items.