Jesuit art / Mia M. Mochizuki.

Includes bibliographical references (pages 192-219)

Part 1: Introduction 1 - 1.1 Jesuit Art 1 1.2 Context 27 - 1.3 Resources 31 - 1.4 Rationale 38 - Part 2: Sources 40 - 2.1 A “Jesuit Style”? 40 - 2.2 The Spiritual Exercises (Exercitia spiritualia) 61 - 2.3 The Evangelicae historiae imagines 78 - 2.4 The Imago primi saeculi Societatis Iesv 99 - Part 3: Contributions 118 - 3.1 The Networked Image 118 - 3.2 The Technological Image 138 - 3.3 The Subjective Image 164 - Part 4: In Place of a Conclusion 186 - 4.1 What If There Was No Jesuit Art? 186 - Bibliography 192

In Jesuit Art, Mia Mochizuki considers the artistic production of the pre-suppression Society of Jesus (1540-1773) from a global perspective. Geographic and medial expansion of the standard corpus changes not only the objects under analysis, it also affects the kinds of queries that arise. Mochizuki draws upon masterpieces and material culture from around the world to assess the signature structural innovations pioneered by Jesuits in the history of the image. When the question of a 'Jesuit style' is rehabilitated as an inquiry into sources for a spectrum of works, the Society's investment in the functional potential of illustrated books reveals the traits that would come to define the modern image as internally networked, technologically defined, and innately subjective.

Mia Mochizuki draws upon masterpieces and material culture from around the world to show how the pre-suppression Society of Jesus (1540-1773) pioneered structural innovations in the history of the image. ; Readership: All interested in early modern, religious, and global art history, and anyone concerned with Renaissance and Baroque art and architecture, Jesuit studies, and the world-wide circulation of prints. Keywords: Renaissance art, Baroque art, religious art, Jesuit art and architecture, global art history, print history, 1540-1773, Jesuit style, Spiritual Exercises, Evangelicae historiae imagines, Imago primi saeculi Societatis Iesu, Ignatius of Loyola, Francis Xavier.

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Introduction: The Jesuit engagement with the status and functions of the visual image / Walter S. Melion -- Part 1, Jesuit image theory - rhetorical and emblematic treatises, and theoretical debates: The early Jesuits and the Catholic debate about sacred images / Wietse de Boer -- The Jesuit Ars and Scientia Symbolica: from Richeome and Sandaeus to Masen and Ménestrier / Ralph Dekoninck -- The theory of figurative language in Maximilian van der Sandt's writings / Agnès Guiderdoni -- Writing on the body and looking through its wounds: the mnemonic metaphor of the stigmata in Emanuele Tesauro's rhetoric / Andrea Torre -- Claude-Franços Ménestrier, the founder of ‘early modern grounded theory' / David Graham -- Enargeia fireworks: Jesuit image theory in Franciscus Neumayr's rhetorical manual (Idea Rhetoricae 1748) and his tragedies / Karl A.E. Enenkel -- Part 2, Embedded Jesuit image theory: Libellus piarum precum (1575): iterations of the five holy wounds in an early Jesuit prayerbook / Walter S. Melion -- Interior sight in Peter Canisius' Meditations on Advent / Hilmar M. Pabel -- Le pacte précaire de l'image et de l'écrit dans le livre illustré d'époque moderne: Le cas de La peinture spirituelle (1611) de Louis Richeome / Pierre Antoine Fabre -- A variety of spiritual pleasures: Anthonis Sallaert's Glorification of the Name of Jesus / James Clifton -- Marvels and marbles in the Antwerp Jesuit Church: Hendrick van Balen's stone paintings of the Life of the Virgin (1621) / Anna C. Knaap -- The Simulacra Avorum in Jesuit Latin poems by Wallius and Carrara: from Virgilian imitation to scholastic philosophy and art theory / Aline Smeesters -- 'To make yourself present': Jesuit sacred space as enargetic space / Steffen Zierholz -- The Jesuit strategy of accommodation / Jeffrey Muller.

Local access dig.pdf. [Jesuit Image Theory.pdf]