Author: Cohen, Warren I.

Chinese connection : Roger S. Greene, Thomas W. Lamont, George E. Sokolsky and American-East Asian relations
Date1978
Publish_locationNew York
PublisherColumbia University Press
CollectionRicci Institute Library [ASCC]
Edition
LanguageEnglish
Record_typeBook
SeriesStudies of the East Asian Institute
ShelfReading Room
Call NumberE183.8.C5 C623 1978
Descriptionx, 322 pages ; ǂc 24 cm.
NoteThe Chinese connection : Roger S. Greene, Thomas W. Lamont, George E. Sokolsky and American-East Asian relations / Warren I. Cohen.
Includes bibliographical references (pages 305-309) and index.
SubjectUnited States--Foreign relations--China China--Foreign relations--United States United States--Foreign relations--Japan United States--Foreign relations--East Asia Diplomats--United States--Biography Greene, Roger Sherman, 1881-1947 Lamont, Thomas W. (Thomas William), 1870-1948 Sokolsky, George E. (George Ephraim), 1893-1962
Seriesfoo 103
ISBN0231044445 ; 9780231044448
LCCN77018101
East Asian art and American culture
Date1992
Publish_locationNew York
PublisherColumbia University Press
CollectionRicci Institute Library
Edition
LanguageEnglish
Record_typeBook
Series
ShelfStacks
Call NumberN7337.C58 1992
Descriptionxxi, 264 pages : illustrations ; 22 cm
Note

East Asian art and American culture : a study in international relations /  Warren I. Cohen.

Includes bibliographical references (pages 235-252) and index.

  1. Art and American Understanding of East Asian Culture, 1784-1900 -- 2. The Golden Age of East Asian Art Collecting in America, 1893-1919 -- 3. Professionalism in America, Chaos in China: John Lodge and Langdon Warner -- 4. War, Depression, Opportunity -- 5. The Fortunes of War: America's East Asia -- 6. The East Asian Art Historians.

This is a beautifully illustrated book and a lively, entertaining, illuminating discussion of the contribution and effects of East Asian art on American culture. Warren Cohen portrays the assembling of the great American collections of East Asian art, public and private, and the idiosyncrasies of the collectors. Particular attention is focused on how this art became part of the cultural consciousness of the people of the United States, transforming their culture into something more complex than the Western civilization their ancestors brought from Europe. Cohen tells of art collectors, dealers, and historians, of museums and their curators, of art and imperialism, art and politics, art as an instrument of foreign policy. One of America's leading diplomatic historians, Cohen views art as an important part of international relations. He describes the use of art in "cultural diplomacy" to implement policy by China, Japan, and the United States. He argues that "virtually every act in the movement of art between cultures has political implications." The book demonstrates how art collecting interacts with the shifting rhythms of international politics and the business cycle. The recent decline in American economic power, with Japan emerging preeminent, was first obvious in the art world where American collectors found themselves unable to compete with their Japanese and Hong Kong counterparts and watched great works begin to move back across the Pacific.

SubjectUnited States--Relations--China Art, Chinese Art, Japanese Art--Collectors and collecting--United States--History Art, Asian--Collectors and collecting--United States--History Untied States--Relations--Japan
ISBN0231076444 ; 9780231076449
LCCN91030617