Cong jingyi tang dao gongle tang : kai bu qian Shanghai Tianzhujiao hui de shuji kanke 從敬一堂到共樂堂：開埠前上海天主教會的書籍刊刻 = From the Jingyitang Church to the Gongletang Church: The Printing by Catholic Churches in Shanghai During the Late Ming and Qing Dynasties (1640-1853) / by Chen Tuo 陳拓

https://oversea.cnki.net/kcms/detail/detail.aspx?dbcode=CJFD&filename=GJHE202506005&dbname=CJFDAUTO

Published in Guoji hanxue 國際漢學 = International Sinology, no.6 (2025): 47-58, 152.

Local access dig.pdf [Chen_Tuo_Cong_jingyi tang.pdf]

Abstract:

作爲近代中國出版中心，上海以出版西學書籍見長，但 1843 年開埠前上海的西書出版卻鮮 受關注。由於特定的歷史原因，西學長期依託於教會和教會書籍進行傳播。明清時期上海天主教會的書 籍出版可分爲敬一堂時期（約 17 世紀下半葉）、共樂堂時期（約 1824—1853）和慈母堂 / 土山灣印書館 時期（19 世紀 50 年代至 1958 年）三個階段。本文聚焦於前兩個時期，利用已訪到的敬一堂刻本 13 種、 共樂堂刻本 10 種，分析各自的歷史與特色，並附論同期上海其他教堂、教徒的書籍刊刻與傳抄活動。通 過發掘上海西書出版的前史，旨在追尋明清時期西方知識與信仰在上海傳播的內在脈絡。

As the publishing center of modern China, Shanghai is renowned for its publication of Western books. However, the city’s printing history prior to its opening as a treaty port in 1843 is often overlooked. Because of specific historical circumstances, the dissemination of Western learning in the form of church books is a cultural phenomenon. The Catholic churches in Shanghai began printing Chinese texts as early as the late Ming and early Qing period. This time could be broadly divided into three periods: the Jingyitang church period（around the latter half of the 17th century）, the Gongletang church period（around 1824–1853）, and the Cimutang church/T’ou-sè-wè period（1850s–1958）. This paper focuses on the first two periods. Based on at least 13 texts printed by the Jingyitang church and 10 texts by the Gongletang church in libraries worldwide, this study analyzes their respective historical context and the features of each period. It also discusses other printed and hand-written texts produced by various churches and Catholics in Shanghai during the same period. By exploring the early history of Western book publishing in Shanghai, this paper aims to trace the internal context of dissemination of Western knowledge and beliefs during the late Ming and Qing dynasties. 

1. Gutenberg's Descendants: Transferring Industrialized Printing Technology to China, 1807-1930 / 25
2. Janus-Faced Pioneers: The Golden Age of Shanghai's Lithographic Printer-Publishers, 1876-1905 / 88
3. "Sooty Sons of Vulcan": Forging Shanghai's Printing Machinery, 1895-1937/ 128
4. "The Hub of the Wheel": Commerce, Technology, and Organizational Innovation in Shanghai's New-Style Publishing World, 1876-c. 1911 / 161
5. "The Three Legs of the Tripod": Commercial Press, Zhonghua Books, and World Books, 1912-37 / 203
Conclusion / 257
Appendix: A Bird's-Eye View of 1930s Shanghai's Fuzhou Road / Wenhuajie District/ 280
Glossary of Chinese Terms, Titles, and Names / 289. Notes / 297.
Selected Asian-Language Bibliography / 360
Selected Western-Language Bibliography / 367
Index / 379.

Local access dig.pdf. [Reed-Gutenberg in Shanghai.pdf]

[提要］ 在近代徐家匯“本地化”知識生產的過程中，土山灣印書館功不可沒。在法國巴黎會省新耶穌會士們主導下，“以徐家匯為圓心的江南本地化知識” 得到整理，並以多種西文著述的形式，面向世界發佈。這批成果鼓勵外部世界以科學的方法研究中國，更將“ 江南科學文化知識” 納入世界文明智慧版圖。若將1923 年的《上海徐家匯土山灣印書館書目表》還原至其出品的年代中，並以較 為新穎且契合彼時時空背景的角度———羅馬教廷呼籲“本地化”傳教策略，則可剖析這冊《書目表》之所以如此編排的深層原因。自20 世紀以降，傳教事業“ 本地化” 的呼聲日隆，時代浪潮裹挾中的 土山灣印書館兼具明顯國別（法國）與修會屬性（耶穌會），是一個生動的切入點。透過它可以探討近代語境中作為宗教文化社區的“徐家匯”所進行的“本地化”知識生產實踐活動，及其背後的時空 線索、文化勾連和歷史原因。
[關鍵詞］ 新耶穌會　徐家匯　土山灣印書館　《書目表》　“本地化”
［中圖分類號］　K252　［文獻標識碼］ 　A　［文章編號］　0874⁃1824(2020)02⁃0100⁃11

Local access dig.pdf. [Mo Wei-Xujiahui.pdf]