Subject: Yashiro Yukio 矢代幸雄, 1890-1975

A Global Eye: the perception of place in a pair of Tokugawa world map screens
AuthorMochizuki, Mia M. 望月みや
PlaceKyōto 京都
PublisherInternational Research Center for Japanese Studies
CollectionRicci Institute Library
Edition
LanguageEnglish
TypeExtract (PDF)
Series
ShelfDigital Archives
Call NumberND1059.6.B35 M62 2016
Descriptionpdf. [pp. 69-119 : color illustrations, maps]
Note

A Global Eye: the perception of place in a pair of Tokugawa world map screens / Mia M. Mochizuki.

Extract from Japan Review 29 (2016): 69 – 119.

A pair of screens depicting a World Map with Cityscapes and Rulers in the Museum of the Imperial Collections, Tokyo, has long complicated the notion of place in cultural interpretation between East and West. Painted in the Jesuit workshop in Japan (c. 1583–1614), and in a customary Japanese format, this pair of screens has been considered primarily in relation to Japanese art, despite being produced by Western and Western-trained artists, using Western materials and pictorial sources, and guided by Western aspirations. This article moves beyond the identification of sources to offer an analysis of the Western, Jesuit intentions for these screens as part of an attempt to reconsider early modern European art within its original global context. It draws upon an early-twentieth-century epistolary parallel to sixteenth-century cross-cultural exchange—the correspondence between two scholars who steered the course of the discipline of art history in East and West, Yashiro Yukio (1890–1975) and Bernard Berenson (1865–1959). The present study applies Yashiro’s use of the determinative detail to examine the Western framework for the production of these screens using four historical registers of place: the place of desire, the composition of place, the contempt for the world, and the index of place. An interdisciplinary approach to cultural contact, via early modern European geography, theology, philosophy, and anthropology demonstrates how one object’s response to shifting notions of what constituted the world highlights some of the same contradictions that have hindered the construction of a truly global art history beyond national stakes alone.

Keywords: art (Renaissance and Baroque), global art history, Bernard Berenson, Yashiro Yukio 矢代幸雄, cartography, world maps, Portuguese eastern trade routes, Edo. Also: Bankoku ezu byōbu 万国絵図屏風, Japanese screens, Namban byōbu 南蛮屏風, Jesuit maps in Japan.

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Local access dig.pdf. [Mochizuki-Global eye.pdf] 

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