Subject: Art, Japanese--Edo Period, 1600-1868

Manji eirihon : Isoho monogatari 万治絵入本 : 伊曾保物語. [Aesop's Fables. Japanese]
AuthorMutō Sadao 武藤禎夫, 1926-
PlaceTokyo 東京
PublisherIwanami Shoten 岩波書店
CollectionRicci Institute Library [Tsutsui Suna]
Edition第一刷
LanguageJapanese
TypeBook
Series30-276-1
Call Number
Description345 p. ; 15 cm
Note

Manji eirihon : Isoho monogatari 万治絵入本 : 伊曾保物語 / Mutō Sadao 武藤禎夫 [annotation]

底本は、国立国会図書館蔵「伊曽保物語」三巻(絵入)万治二年であり。

Modern Japanese illustrated version.

ISBN4003027612
Portuguese ships on Japanese Namban screens
AuthorYamafune Kotaro 山舩晃太郎
Place---
Publisher---
CollectionRicci Institute Library
LanguageEnglish
TypeThesis/Dissertation (PDF)
ShelfDigital Archives
Call NumberND1059.6.N3 Y36 2012d
Descriptionpdf. [134 l. : color ill. ; 30 cm
NotePortuguese ships on Japanese Namban screens : a thesis / by Kotaro Yamafune.
Thesis (M.A., Anthropology: Texas A & M University, 2012)
[College Station, Tex.: Texas A & M University]
Includes bibliographical references (l. 98-104).

Namban screens are a well-known Japanese art form that was produced between the end of the 16th century and throughout the 17th century. More than 90 of these screens survive today. They possess substantial historical value because they display scenes of the first European activities in Japan. Among the subjects depicted on Namban screens, some of the most intriguing are ships: the European ships of the Age of Discovery. Namban screens were created by skillful Japanese traditional painters who had the utmost respect for detail, and yet the European ships they depicted are often anachronistic and strangely. On maps of the Age of Discovery, the author discovered representations of ships that are remarkably similar to the ships represented on the Namban screens. Considering the hypothesis that ships of some of the Namban screens are copies of ships represented on contemporary European cartography, the author realized that one particular historical event connecting Europe and Japan may be the source of these representations. This was the first visit of the Japanese Christian embassy, the Tensho Embassy, to Rome, in 1582. Its journey to Europe and its following visit to the Taiko, or first effective leader of Japan, Hideyoshi Toyotomi, may have been a trigger for the production of one of the most well-known Japanese artworks, the Namban screens.

Online at OAK Trust.
Local access dig. pdf. [Yamafune-Namban ships.pdf]

Ukiyo-e : 250 years of Japanese art
AuthorNeuer, RoniLibertson, HerbetSusugu Yoshida 吉田漱, 1922-2001
PlaceNew York
PublisherGallery Books
CollectionRicci Institute Library
LanguageEnglish
TypeBook
ShelfStacks
Call NumberNE1321.8.N413 1979
Description390 p. : illus. (chiefly color) ; 32 cm
Note

Ukiyo-e : 250 years of Japanese art  / Roni Neuer, Herbert Libertson, [introductory and biographical passages] Susugu Yoshida.

ISBN9780831790417
LCCN81001959
When art became fashion : kosode in Edo-period Japan
AuthorBethe, MonicaGluckman, Dale CarolynTakeda, Sharon SadakoGoodall-Cristante, HollisHauser, William B.Kirihata KenMaruyama NobuhikoNagasaki IwaoSinger, Robert T.
PlaceLos Angeles
PublisherLos Angeles County Museum of Art
CollectionRicci Institute Library
EditionFirst Edition
LanguageEnglish
TypeBook
ShelfStacks
Call NumberNK4784.A1 G68 1992
Description351 p. : illus. (some color) ; 31 cm
Note

When art became fashion : kosode in Edo-period Japan / Dale Carolyn Gluckman & Sharon Sadako Takeda. With contributions by Monica Bethe, Hollis Goodall-Cristante, William B. Hauser, Kirihata Ken, Maruyama Nobuhiko, Nagasaki Iwao, Robert T. Singer.

ISBN9780875871646
LCCN92017606