Subject: Portuguese--Japan--Pictorial works

Biombos Namban = Namban screens
AuthorPinto, M. H. Mendes (Maria Helena Mendes)
PlaceLisboa
PublisherMuseu Nacional de Arte Antiga
CollectionRicci Institute Library
Edition2d ed.
LanguagePortuguese-English
TypeBook
Series
ShelfFolio Cabinet 1
Call NumberND1059.6.N3 .P56 1988
Description76 p., 4 folded l. of plates : col. ill. ; 24 x 26 cm
NoteBiombos Namban = Namban screens / Maria Helena Mendes Pinto.
Bibliography: p. 76.
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LCCN91-204414
Namban byōbu 南蛮屏風
AuthorŌoka Makoto 大岡信, 1931-
PlaceTōkyō 東京
PublisherHeibonsha 平凡社
CollectionRicci Institute Library
Edition
LanguageJapanese
TypeBook
SeriesHeibonsha gyararī 平和社ギヤラリー ; 4
ShelfFolio Cabinet 1
Call NumberND1059.6.N3 O66 1973
Description[24] p. : chiefly color ill. ; 36 cm
NoteNamban byōbu 南蛮屏風 / Ōoka Makoto 大岡信.
Note: One central figure in this painting is reputed to be Alessandro Valignano. Cover title.
Shōwa 昭和48.
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ISBN00702550407600
Portuguese ships on Japanese Namban screens
AuthorYamafune Kotaro 山舩晃太郎
Place---
Publisher---
CollectionRicci Institute Library
Edition
LanguageEnglish
TypeThesis/Dissertation (PDF)
Series
ShelfDigital Archives
Call NumberND1059.6.N3 Y36 2012d
Descriptionpdf. [134 l. : color ill. ; 30 cm
NotePortuguese ships on Japanese Namban screens : a thesis / by Kotaro Yamafune.
Thesis (M.A., Anthropology: Texas A & M University, 2012)
[College Station, Tex.: Texas A & M University]
Includes bibliographical references (l. 98-104).

Namban screens are a well-known Japanese art form that was produced between the end of the 16th century and throughout the 17th century. More than 90 of these screens survive today. They possess substantial historical value because they display scenes of the first European activities in Japan. Among the subjects depicted on Namban screens, some of the most intriguing are ships: the European ships of the Age of Discovery. Namban screens were created by skillful Japanese traditional painters who had the utmost respect for detail, and yet the European ships they depicted are often anachronistic and strangely. On maps of the Age of Discovery, the author discovered representations of ships that are remarkably similar to the ships represented on the Namban screens. Considering the hypothesis that ships of some of the Namban screens are copies of ships represented on contemporary European cartography, the author realized that one particular historical event connecting Europe and Japan may be the source of these representations. This was the first visit of the Japanese Christian embassy, the Tensho Embassy, to Rome, in 1582. Its journey to Europe and its following visit to the Taiko, or first effective leader of Japan, Hideyoshi Toyotomi, may have been a trigger for the production of one of the most well-known Japanese artworks, the Namban screens.

Online at OAK Trust.
Local access dig. pdf. [Yamafune-Namban ships.pdf]

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