La nascita del mondo moderno in Asia orientale : la penetrazione europea e la crisi delle società tradizionali in India, Cina e Giappone / Giorgio Borsa.
Bibliography: p. 543-[568].
Includes index.

Reopening the opening of Japan : transnational approaches to modern Japan and the wider world /  edited by Lewis Bremner, Manimporok Dotulong, Sho Konishi.

Includes bibliographical references and index.

Introduction Lewis Bremner and Manimporok Dotulong

Part 1 Visions of Civilisation
1 The 1860 Japanese Embassy and the Opening of American Civilisation: Samurai, Interracial Romance, and Southern Print Culture / Natalia Doan
2 Laughing at Civilisation: Charles Wirgman’s Japan Punch and the Reopening of Great Britain / Warren A. Stanislaus
3 Minakata Kumagusu and the Microbial Turn in Theories of Evolution and Civilisation, 1887–1892 / Eiko Honda
Part 2 Life through the Opening
4 Opening the West with Japanese Mermaid Mummies: Ningyo in the Making of the Theory of Evolution / Mateja Kovacic
5 Hyakushō in the Arafura Zone: Ecologising the Nineteenth-Century “Opening of Japan” / Manimporok Dotulong
6 The Transformation of Magic Lantern Technology in Nineteenth Century Japan / Lewis Bremner
7 Squaring Experiences with the Opening: The Case of Yokoyama Matsusaburō / Maki Fukuoka
Part 3 From Particularity to Radical Universality
8 The Modern Closing of a Tokugawa-Era “Opening”: The Early Modern Origins of an International Humanitarian Organisation / Sho Konishi
9 A Defeated Samurai of the Boshin Civil War and the Search for a New Universalism / Chinami Oka
10 Meiji Civil War Losers in Siam: Miyazaki Tōten’s Utopian Farming Community (1877–1896) / Joel Littler
11 The “Second Ishin” and Kunikida Doppo’s Misunderstood Nature / Yu Sakai
Part 4 Epilogue: Postwar Reflections
12 Something Like an Autobiography: Akira Kurosawa on Free Pedagogy and Restoration of Japan’s
Democratic Self / Olga V. Solovieva

"The 'Opening of Japan' has been central to the retelling of Japan's modern history. Reopening the Opening of Japan fundamentally reconsiders what that historical moment entailed. What did intensified connections between Japan and the world mean both inside and outside of the country, and what does this tell us about Japan's historical significance on a global scale? The chapters excavate a rich array of surprising cross-border connections, from the global trade in mummified mermaids to the Japanese-Russian intellectual links underpinning the work of Akira Kurosawa. Re-thinking connectivity through non-state transnational perspectives, the book guides readers to new ways of doing and writing history. Contributors are: Lewis Bremner, Natalia Doan, Manimporok Dotulong, Maki Fukuoka, Eiko Honda, Sho Konishi, Mateja Kovacic, Joel Littler, Chinami Oka, Yu Sakai, Olga Solovieva, and Warren Stanislaus"--  Provided by publisher.

Local access dig.pdf. [Reopening the Opening of Japan.pdf]

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Tangible whispers, neglected encounters : histories of East-West artistic dialogues, 14th-20th century / Marco Musillo.
Includes bibliographical references (pages 239-266).

The relationship between East and West remains a topic of burning timeliness, particularly in its political dimension. Yet, we can gain a complete understanding of the current tensions only if we consider them within a broader historical framework, spanning from art to diplomacy, from religion to ethnography. The present volume tackles precisely this complex task, offering its reader a rich mosaic of case studies and scholarly research, relating to the mutual approaches between the Euro-American ‘West’, and the Sino-Japanese ‘East’. In the first part of the book, art historian Marco Musillo uses the depictions of Tartars in fourteenth-century Italian frescoes as the starting point of a trajectory leading to eighteenth-century European literature on China. In the second part, the reader is introduced to two cases of diplomatic encounter, one in sixteenth-century Italy between Japanese subjects and local courts, and the other one between Qing China and twentieth-century United States, in the space of the universal exhibition in St. Louis. Finally, the last section proposes three interconnected art historical explorations: the screen design of Chinese origin in colonial Mexico, Medieval Christian tombstones in China, and early-modern Filipino sacred sculpture.

Table of Contents

Introduction: Hot Air and Flying Dragons: Historiographical Fractures and Interpretation

Part I: Ethnography
1. From Tartar Faces to Chinese Bodies: the Transformation of Identities

Part II: Diplomacy
2. Dancing Venues and Theatrical Receptions: Early Modern Diplomacy and the Japanese Legation to Europe
3. American Entertainment and Display: Qing Empress Cixi in the St. Louis Exposition

Part III: Materiality
4. The Routes of the Screen: Local Forms and Transcultural Designs
5. Tombstones and “Anomalous” Canons
6. Filipino Sculptures as Eventful Art